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- Vetri Maaran’s Arasan – Official Promo Video
- Readers Write In #874: Do the film lovers care about Large display screen expertise ?
- Readers Write In #873: Bollywood’s Love Affair with the Indian Police
- Readers Write In #872: Rumi-nations On Love
- Blissful Deepavali
- Keerthiswaran’s ‘Dude’ is a brilliant, humorous, progressive comedy that shatters many Tamil cinema tropes
- Senna Hegde’s ‘Avihitham’ is an actual charmer about small-minded males in a small village
- Shanmugam Muthusamy’s ‘Diesel’ is a massy saviour story that runs out of gas fairly shortly
- Mari Selvaraj’s ‘Bison’ is a superbly advised story of a sportsman and the violence round him
- Interview: Sameer Nair (Applause Leisure)
- Readers Write In #871: Seeing
- Interview: Anshuman Jha, Arjun Mathur (‘Lord Curzon Ki Haveli’)
- Interview: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Dinesh Vijan (‘Thamma’)
- Prime 5 takeaways from the IMDb Report on Indian Cinema, 2000-2025
- Interview: Mari Selvaraj (‘Bison’)
- Farewell, Diane Keaton (1946-2025)
- Farewell, Sandhya Shantaram (1938-2025)
- Interview: Dhruv Vikram (‘Bison’)
- Readers Write In #870: Books and Studying and Why we do it
- Readers Write In #869: “Dance-u, Tune-u, Combat-u”
- Interview: Combating for Screenwriting
- Interview: Siddhu Jonnalagadda (‘Telusu Kada’)
- Interview: Kiran Abbavaram (‘Ok-Ramp’)
- Readers Write In #868: Damaged Mirror
- Interview: Sriya Reddy (‘They Name Him OG’)
- Readers Write In #867: Of Previous Lives and Windfall
- Readers Write In #866: To slap or not to?
- The Beginner’s Artwork #71 – Avaludan (With Her)
- The Beginner’s Artwork #70 – Nisaptham (The Silence)
- Interview: Harish Sivaramakrishnan, lead singer of ‘Agam’, on their new album ‘Arrival of The Ethereal’
- Shashank Khaitan’s ‘Sunny Sanskari Ki Tulsi Kumari’ is a not-bad rom-com with the actors in prime kind
- Rishab Shetty’s ‘Kantara: Chapter 1’ expands the world of the predecessor in a principally participating manner
- Farewell, Jane Goodall (1934-2025)
- Dhanush’s ‘Idli Kadai’ has nice concepts, however they don’t come collectively satisfactorily
- Readers Write In #865: The Bas***ds of Bollywood
- Briefly Reviewed – Paul Thomas Anderson’s ‘One Battle After One other’
- Readers Write In #864: Who can we ‘miss’ the most?
- The Beginner’s Artwork #69 – Naai La Gandam
- The Beginner’s Artwork #68 – Insoosiyans
- Interview: Rishab Shetty (‘Kantara: Chapter 1’)
- Unni Sivalingam’s ‘Balti’ has a number of writing points, nevertheless it’s an entertaining watch
- Sujeeth’s ‘They Name Him OG’ is super-stylish, nevertheless it may have used some good writing as properly
- Neeraj Ghaywan’s ‘Homebound’ is a transferring drama a couple of Dalit and a Muslim who’re finest pals
- Readers Write In #863: Are Timber Leftists? – Ideas on The Hidden Lifetime of Timber by Peter Wohlleben
- Readers Write In #862: Driving in India seems like a Video Recreation
- Interview: Neeraj Ghaywan, Ishaan Khatter, Vishal Jethwa (‘Homebound’)
- Interview: Prem Kumar (’96’, ‘Meiyazhagan’)
- Interview: Shanthnu (‘Balti’)
- Athiyan Athirai’s ‘Thandakaaranyam’ has a strong core that wanted extra convincing writing
- Jeethu Joseph’s ‘Mirage’ isn’t as much as his different thrillers, nevertheless it’s nonetheless junky enjoyable
