On December 7, 1979, Star Trek: The Movement Image was launched, with followers lastly in a position to see their heroes on board the USS Enterprise as soon as once more, over ten years after the unique Star Trek collection went off the air. A lot has been written and mentioned concerning the lengthy journey and challenges that confronted the film that launched a 13-film franchise for Paramount Photos, however at this time we wish to concentrate on one man.
Whenever you consider TMP you consider Star Trek creator and the movie’s producer Gene Roddenberry, stars William Shatner and Leonard Nimoy, director Robert Smart, writers Alan Dean Foster and Harold Livingston, visible results pioneer Douglas Trumbull, and who can neglect the enduring rating from Jerry Goldsmith. After all, there are lots of extra from behind and in entrance of the digicam who shepherded Star Trek from cancelled TV present to a Paramount’s largest movie launch for 1979. To rejoice the forty sixth anniversary of The Movement Image, we wish to speak about somebody not often spoken about, but might have had a profound impression on the franchise.
Leonard Nimoy, Robert Smart, Gene Roddenberry, DeForest Kelley, and William Shatner (Michael Ochs Archives/Getty Photos)
Arthur Barron – accountant champion of Star Trek
Trying again to the delivery of Star Trek: The Movement Image, the story is populated by among the most important Hollywood executives of the final century. This consists of (future head of Disney) Michael Eisner, President of Paramount in addition to (one other future head of Disney and co-founder of DreamWorks) Jeffrey Katzenberg, who was tasked with overseeing the tumultuous challenge. And naturally it’s a must to contemplate Barry Diller, who earlier than founding Fox Broadcasting and IAC (and turning into a billionaire), was Paramount CEO via most the ’70s and into the early ’80s. And it’s due to Diller’s new memoir (Who Knew, launched in Could) that we’ve the story of a lesser identified Paramount exec, however one who performed a key position in bringing Star Trek again.
Accountants can get a foul rap on the subject of the leisure enterprise. Usually derided, these quantity crunchers take the blame and are available below derision, from strangling the budgets of movie initiatives (ask William Shatner about Star Trek V) to getting TV reveals pulled from streaming providers (see Star Trek Prodigy). However in keeping with Barry Diller, it was an accountant who was Star Trek’s largest champion again when it was only a cancelled TV present within the Seventies. In chapter 13 of Who Knew, Diller recounts among the moments of his time at Paramount, coming off a collection of highlights from the early to mid seventies, when Star Trek enters the story:
Our successes had been turning into ridiculously anticipated. There was a way we may do no flawed. However once we first considered making a film out of the Star Trek collection, which had ended ten years beforehand and had a comparatively small viewers, nobody in Hollywood may consider that such nice geniuses would attempt to take a middling, long-ago-canceled TV collection and switch it into an precise film.
Our self-described “shiny-ass accountant,” Artwork Barron, Paramount’s chief monetary officer, was obsessive about resurrecting Star Trek. Ever since I arrived at Paramount [in 1974], each now and again, shyly, given his purely monetary place, Artwork would say to us, “We should do one thing with Star Trek.”
And each time he introduced it up, we ignored him. We thought it’d be ridiculous to make a film of that clunky previous present.
So it was Arthur Barron talking into the ear of the person working Paramount, beginning 5 years earlier than Star Trek: The Movement Image arrived (and years earlier than a little bit film referred to as Star Wars modified Hollywood in 1977). It was on this period within the mid-Seventies that Diller first started dreaming of launching a brand new community to rival the triumvirate of ABC, CBS, and NBC. Word that presently, CBS was nonetheless a long time away from being a part of the identical company household. Diller sought to launch a “Paramount Tv Service,” and as soon as once more it was Arthur Barron chiming in with that previous TV present. Once more from Who Knew:
Our intrepid chief accountant turned present barker once more instructed we should revive Star Trek as our first collection. We came upon that there truly had been plenty of die-hard followers of the present and that may a minimum of give us a identified amount to advertise.
Thus started what was dubbed Star Trek: Part II, which was to be a brand new tv collection for the brand new Paramount community, with a lot of the new forged returning of their unique roles, the primary holdout being Leonard Nimoy. Ultimately, Paramount’s father or mother firm Gulf+Western couldn’t be satisfied it made monetary sense (accountants, once more!) so the brand new TV community challenge was shelved. Diller’s memoir skips over quite a lot of Star Trek historical past from this period together with a few early makes an attempt to make a characteristic movie (see The God Factor and Star Trek: Planet of the Titans), however he notes:
The concept of doing one thing with Star Trek gained momentum. If not a tv collection then perhaps a brand new film. The second we introduced it, there was an enormous optimistic public response.
And so at this time followers ought to bear in mind Arthur R. Barron as they rejoice Star Trek: The Movement Image. It was this “shiny-ass accountant” who was the lone voice within the company suites of Paramount within the mid Seventies when Star Trek may have merely pale away like many different forgotten sci-fi reveals. We don’t know if he was a fan himself, however Barron was a holdover from the Desilu period, becoming a member of Star Trek’s unique manufacturing firm again in 1963. So he was witness to the delivery of the franchise earlier than Gulf+Western bought each Desilu and Paramount. Barron would go on to run Paramount Communications, Inc. till his retirement in 1989. He returned to the leisure enterprise once more as Chairman of Time Warner till retiring once more in 1995. He handed away in 2011.
Katzenburg’s pennies
Diller’s account then strikes to among the acquainted floor coated in different histories of this period, together with how they locked themselves to a Christmas season 1979 launch, pre-selling the film to exhibitors earlier than they even discovered how they had been going to make a film. One of many largest challenges was how the studio had no actual expertise with visible results, including “earlier than we shot a single scene we went via $7 million in deserted results.” And again then $7 million was large cash. All the funds of Star Wars was $11 million.
Diller recounts how this early interval of making an attempt to get Star Trek onto the large display had been troublesome instances:
I now had no religion that the film can be any good. I simply wished it to open and break even and get out with our lives. I had gotten so involved that I assumed we would have liked to assign one individual from our workers to do nothing however be sure the film was delivered on time. We completely couldn’t default on getting these large ensures.
On the time, Jeffrey Katzenberg was a junior member of the manufacturing workers, however he was chosen to ensure the movie truly obtained into theaters on time. So in accordance Diller, he instructed Katzenberg, “I don’t care what it’s a must to do; I don’t care what it seems like; simply ship it.”
Ultimately, after many difficulties, Star Trek: The Movement Image arrived for its premiere occasion, satisfying the pinnacle of the corporate. In his memoir he recounts the discharge, and the passive aggressive method (doubtless resulting from how a lot over funds the challenge went) the studio thanked Katzenberg:
With prints nonetheless moist from the lab, Star Trek opened… By midday there have been traces across the block at each theater it was taking part in in throughout the nation. Jeff had not too long ago purchased a small home on Carmelita Avenue in Beverly Hills. The subsequent day I had a truck pull as much as to the driveway and dump $25,000 in pennies on his entrance garden as our thanks for saving us.
He referred to as me up and mentioned, “You destroyed my garden!” However he was very happy with these pennies.
So at this time, consider Jeffrey Katzenberg and his poor garden as effectively.
The human journey is simply starting
46 years later Star Trek continues to be going. After cancellation the collection had seen success in syndication, however Star Trek: The Movement Image cemented it as a real franchise. It was adopted quickly after with a collection of flicks starring the TOS crew into the Nineteen Eighties, and a syndicated TV franchise launching in 1987 with Star Trek: The Subsequent Technology, which borrowed Goldsmith’s Oscar-nominated theme from The Movement Image. After all extra TV reveals adopted, together with the 1995 premiere of Star Trek: Voyager on the United Paramount Community (UPN), lastly fulfilling Barry Diller’s dream.
We are actually heading into the sixtieth 12 months of the franchise with unique Star Trek reveals on Paramount+ and an entire new characteristic movie in growth. Hopefully there are nonetheless folks like Arthur Barron inside the company suites of Paramount advocating for the franchise for many years to return.
You may relive what it was like, with the unique trailer for Star Trek: The Movement Image beneath.
Famously the movie was a bit rushed to make Barry Diller’s deadline, so in 2001 director Robert Smart was in a position to work with Paramount and a brand new visible results staff to create a Director’s Version of the movie. This model was remastered in 4K HD for a brand new launch in 2022. You may take a look at a trailer for that beneath.
What are your TMP reminiscences? Tell us within the feedback beneath.
Sustain with all the most recent on Star Trek historical past at TrekMovie.



