Monday, November 17, 2025

Remembering Quentin Tarantino’s panned Broadway performing debut


If there’s one thing we are going to get enthusiastic about concerning Quentin Tarantino, it’s something associated to his tenth and closing movie. If there’s not, it’s something to do along with his performing. Look, we love QT, however the dude is a notoriously dangerous actor, it doesn’t matter what he desires you to imagine. Actually, what does it say when he can provide a greater efficiency in a Golden Ladies one-off than in his personal film (sure, we’re speaking about Django Unchained)? However Tarantino will give performing yet one more go, having lately been introduced as a part of the forged of drama Solely What We Carry. However lengthy earlier than that – but after he performed Mr. Brown, Jimmy and the dude that goes on and on in regards to the sexual undertones of Prime Gun, he had a big function on Broadway…which was obtained about in addition to you’d assume.

However let’s have a look at some critiques of Quentin Tarantino’s performing flip in Wait Till Darkish in early 1998, taking up the function most famously performed by Alan Arkin within the 1967 movie however beforehand performed by Robert Duvall on stage. Showing reverse Marisa Tomei (enjoying the famed Audrey Hepburn function), Tarantino was extensively shredded for his try at Broadway performing. As The New York Occasions put it of their assessment, “Mr. Tarantino appears menacing to nothing besides presumably Mr. Knott’s script. Whether or not elevating his voice in deranged fury or softly promising to commit unspeakable tortures, he registers at finest as merely petulant, like a suburban teen-ager who has been denied using his father’s Lexus for the night time.”

And that’s definitely not all. Selection was a bit extra tepid, writing his efficiency was “unexpectedly easy; getting into with sun shades, hair slicked-back, he’s no roughly tacky than Alan Arkin within the 1967 movie.” Going a extra vicious route, CurtainUp declared, “Quentin Tarantino can’t scare a deer out of a pair of oncoming headlights.”

And so what was Tarantino’s personal response to the reception of his performing? Based on Biography, QT mentioned he felt was was being observed as “the one whose performing sucks. I attempted to not take it personally, however it was private. It was not in regards to the play—it was about me, and at a sure level I began getting too skinny a pores and skin in regards to the fixed criticism.”

So, are we trying ahead to Quentin Tarantino’s return to performing? Properly, not precisely…But when it’s going to maintain him energetic, then we’ll lend any help we are able to. It might’t presumably supply something worse than his Django Unchained accent, proper?

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