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- Interview: Anshuman Jha, Arjun Mathur (‘Lord Curzon Ki Haveli’)
- Interview: Ayushmann Khurrana, Rashmika Mandanna, Nawazuddin Siddiqui, Dinesh Vijan (‘Thamma’)
- Prime 5 takeaways from the IMDb Report on Indian Cinema, 2000-2025
- Interview: Mari Selvaraj (‘Bison’)
- Farewell, Diane Keaton (1946-2025)
- Farewell, Sandhya Shantaram (1938-2025)
- Interview: Dhruv Vikram (‘Bison’)
- Readers Write In #870: Books and Studying and Why we do it
- Readers Write In #869: “Dance-u, Music-u, Combat-u”
- Interview: Combating for Screenwriting
- Interview: Siddhu Jonnalagadda (‘Telusu Kada’)
- Interview: Kiran Abbavaram (‘Ok-Ramp’)
- Readers Write In #868: Damaged Mirror
- Interview: Sriya Reddy (‘They Name Him OG’)
- Readers Write In #867: Of Previous Lives and Windfall
- Readers Write In #866: To slap or not to?
- The Novice’s Artwork #71 – Avaludan (With Her)
- The Novice’s Artwork #70 – Nisaptham (The Silence)
- Interview: Harish Sivaramakrishnan, lead singer of ‘Agam’, on their new album ‘Arrival of The Ethereal’
- Shashank Khaitan’s ‘Sunny Sanskari Ki Tulsi Kumari’ is a not-bad rom-com with the actors in prime type
- Rishab Shetty’s ‘Kantara: Chapter 1’ expands the world of the predecessor in a largely participating method
- Farewell, Jane Goodall (1934-2025)
- Dhanush’s ‘Idli Kadai’ has nice concepts, however they don’t come collectively satisfactorily
- Readers Write In #865: The Bas***ds of Bollywood
- Briefly Reviewed – Paul Thomas Anderson’s ‘One Battle After One other’
- Readers Write In #864: Who will we ‘miss’ the most?
- The Novice’s Artwork #69 – Naai La Gandam
- The Novice’s Artwork #68 – Insoosiyans
- Interview: Rishab Shetty (‘Kantara: Chapter 1’)
- Unni Sivalingam’s ‘Balti’ has a number of writing points, nevertheless it’s an entertaining watch
- Sujeeth’s ‘They Name Him OG’ is super-stylish, nevertheless it may have used some good writing as properly
- Neeraj Ghaywan’s ‘Homebound’ is a transferring drama a couple of Dalit and a Muslim who’re greatest buddies
- Readers Write In #863: Are Timber Leftists? – Ideas on The Hidden Lifetime of Timber by Peter Wohlleben
- Readers Write In #862: Driving in India looks like a Video Sport
- Interview: Neeraj Ghaywan, Ishaan Khatter, Vishal Jethwa (‘Homebound’)
- Interview: Prem Kumar (’96’, ‘Meiyazhagan’)
- Interview: Shanthnu (‘Balti’)
- Athiyan Athirai’s ‘Thandakaaranyam’ has a robust core that wanted extra convincing writing
- Jeethu Joseph’s ‘Mirage’ isn’t as much as his different thrillers, nevertheless it’s nonetheless junky enjoyable
- Arun Prabu Purushothaman’s ‘Shakthi Thirumagan’ is a pacy vigilante thriller that slowly runs out of steam
- Readers Write In #861: The Son Rises, The Sauce Returns
- Readers Write In #860: விடுமுறை
- Readers Write In #859: My Evolving Relationship with Motion pictures
- Readers Write In #858: A Scene-Stealer of a Patti
- Lights, Digicam, Evaluation: Karthik Gattamneni (‘Mirai’)
- Anurag Kashyap’s ‘Nishaanchi’ sees the filmmaker having plenty of enjoyable in a style that may be known as reality-kitsch
- Karthik Gattamneni’s ‘Mirai’, with Teja Sajja and Manchu Manoj, is an entertaining fantasy that performs like Amar Chitra Katha on steroids
- Raunaq Mangottil’s Spherical Desk – 2
- Interview: Shane Nigam (‘Balti’)
- Amartya Bhattacharya’s ‘Lahari’ (Odia) is a sweetly eccentric dramedy that feedback on capitalism with out forgetting to be enjoyable
