Monday, November 17, 2025

‘A Home of Dynamite’ Evokes Official Pentagon Response


The next publish comprises some gentle SPOILERS for A Home of Dynamite.

The U.S. Division of Protection says that whereas the occasions that unfurl in Netflix’s new doomsday political thriller, A Home of Dynamite, are actually gripping on display, they’re additionally inaccurate.

In Kathryn Bigelow’s movie, when army radars detect a nuclear missile headed straight for the continental U.S., the president plus varied authorities people and departments have lower than 20 minutes to attempt to neutralize the weapon and formulate a retaliatory response. The one drawback? (Apart from the catastrophic bomb, in fact.) Nobody has any thought who despatched the missile, or why.

It’s an edge-of-your-seat premise because the movie tightly follows a gaggle of understandably on-edge political actors who should navigate the unthinkable. Some are pressured to remain behind to take care of the dilemma whereas others are evacuated; others nonetheless have family members straight situated within the potential influence zone, elevating their private stakes within the disaster. Everybody has an element to play because the political drama unfolds, however maybe none extra so than the handful of armed forces members tasked with stopping the missile earlier than it’s too late.

Since its launch to the streamer on October 24, viewers on-line have debated and mentioned the actions, timelines and protocols seen within the movie. Apparently chatter surrounding the film made its technique to Washington, D.C. The Pentagon subsequently launched an inside memo disputing sure occasions that happen within the movie in order that members have “situational consciousness and [are] not ‘stunned’ by the subject, which can come up in conversations or conferences.”

Particularly the Pentagon disputes the second by which the army is finally unable to cease the missile headed towards the U.S. when one among its two interceptor missiles malfunctions and the opposite fails to neutralize the warhead upon collision.

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In response to Selection, officers supposed to deal with “false assumptions” from the movie and “present right information and a greater understanding” by way of a memo despatched to employees on October 16. The be aware, obtained by Bloomberg, urges that whereas the army’s failure to neutralize the nuclear missile within the film is “a compelling a part of the drama supposed for the leisure of the viewers,” real-world testing “inform a vastly totally different story” concerning the U.S.’s protection capabilities.

Within the movie, Floor-Based mostly Interceptor missiles (GBIs) have a 61 % success price in destroying incoming weapons. (A “f—ing coin toss,” as one character places it.) Nonetheless, the Missile Protection Company memo despatched this month counters that its multi-billion-dollar protection techniques have “displayed a one hundred pc accuracy price in testing for greater than a decade.” Chatting with Deadline, an nameless “well-positioned army official” additionally mentioned that “the outcomes [of their systems testing] are very excellent, with this system scheduled to develop over the subsequent decade.”

The workforce behind the movie would beg to vary, nevertheless. Bigelow mentioned throughout an interview with CBS Sunday Morning that manufacturing didn’t work straight with the army whereas filming, however that they’d “a number of tech advisers [on set] who’ve labored within the Pentagon.”

In the meantime, screenwriter Noah Oppenheim informed MSNBC that he must “respectfully disagree” with the DoD’s response to A Home of Dynamite. “I’m not a missile protection professional, however I did speak to many missile protection consultants who have been all on the report … So what you see on display is hopefully a reasonably correct portrait of the truth that exists,” he insisted.

“Sadly, our missile protection system is very imperfect. If the Pentagon desires to have a dialog about bettering it or what the subsequent step may be in retaining all of us safer, that’s the dialog we need to have. However what we present within the film is correct,” Oppenheim added.

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